Search results for "Otras filologías modernas"

showing 10 items of 70 documents

El frau de l’alquimista en l’infern dantesc de Joan Pasqual i en la tradició medieval

2015

This article presents and analyses chapter XLVI from the Tractat de les penes particulars d’infern by Catalan franciscan friar Joan Pasqual, written soon after 1436. This chapter, “Del cercle de l’alquimia”, includes an exemplum which is doubly significant: on the one hand, it documents the alchemic legend in the Plantagenets’ court during the 14th and 15th centuries; on the other hand, and most importantly, it is a new testimony of two narrative motifs of Eastern origin: the fake alchemist and the king (Thompson, K.111.4; Tubach, 89), and the account-book of mistakes or fools (Thompson,J.1371). After introducing the medieval witnesses of these motifs, the alchemic legend of Ramon Llull and…

AlchemyUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASHistoryLiterature and Literary TheoryFilologíasmedia_common.quotation_subjectContext (language use)ArtOtras filologías modernasLegendlanguage.human_languageMotif (narrative):CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]NovellalanguagePerformance artNarrativeCatalanHumanitiesmedia_common
researchProduct

At the Risk of Exaggerating : How Do Listeners React to Hyperbole?

2003

The intensive focus on the reception process of figures of speech, in terms of the psychological processes operated on their understanding, explains that nowadays a crucial limitation in figurative language theories is the production process of non-literal forms, as joint activities between speaker and hearer. Since the object of study has traditionally been the figurative sentence, either in isolation or in the context of an artificially constructed text, it is not surprising that the collaborative nature of figures has been overlooked. This paper focuses on hyperbole, a long neglected trope, despite its pervasive frequency of occurrence and co-occurrence with other tropes in everyday spee…

Figurative language theories ; Non-literal forms ; Figurative sentenceUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS:LINGÜÍSTICA [UNESCO]Filologías:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Filología inglesaFigurative sentenceOtras filologías modernasFigurative language theoriesUNESCO::LINGÜÍSTICANon-literal forms
researchProduct

Joan Roís de Corella, la seua vida i el seu entorn: noves dades per a la història de la cultura en la València del segle xv

2014

This article offers a full updating of the biographical records of the writer Joan Roís de Corella (1435-1497) and his family: his great-grandparents, grandparents, parents, siblings and children. All data are presented in a systematic way, generation by generation, and a new vision of the writer himself is offered. In its documentary section, 432 documents are transcribed or summarised, dating from 1373 to 1516. A broad range of new archival data is presented; other previously known data are corrected or improved. Some examples: Joan Roís de Corella had four children: Magdalena (born 1459), Maria, Joan and Estefania, the latter two by Isabel Martínez de Vera. Joan Roís de Corella was widel…

HistoryBusiness transactionsUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASLiterature and Literary TheoryFilologíasmedia_common.quotation_subjectSignificant partArt historyArtOtras filologías modernasLong period:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Humanitiesmedia_commonJoan Roís de Corella; Miquel Pérez; Ludolph of Saxony; Vita Christi; late medieval translations of religious texts; fifteenth-century preaching; late medieval libraries; medieval hospitals; medieval preaching; non-priestly preachers; early printMagnificat Cultura i Literatura Medievals
researchProduct

Dante en la cultura Catalana a l'entorn del casal de Barcelona (1381-1410/12)

2016

This article analyzes in a historical context the earliest evidences of Dante’s influence on Catalan culture during the reigns of Kings Peter IV, John I and Martin of Aragon, until the interregnum (1410-12) and the change of dynasty resulting from the Compromise of Caspe (1412). French courts, Avignon papal curia and the close personal, political and dynastic ties between the kingdoms of Sicily and Aragon constitute the background on which this paper studies the many echoes of Dante —from the Commedia, from the commentaries on Dante and from the so-called silloge boccaccesca— to be found around the chancellery and the court of Aragon: specifically, in Bernat Metge’s Llibre de Fortuna e Prud…

HistoryLiterature and Literary TheoryChristine de Pizan and DanteFilologíasFelip de MallaCompromisemedia_common.quotation_subjectArt historyContext (language use)Otras filologías modernasFortunaKingdomPoliticsmedia_commonKing Martin of AragonUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASPoetryGilabert de PròixitaAnselm TurmedaArtAndreu FebrerAntipope benedict XIIIlanguage.human_languageDante Alighieri; Dante in Catalan culture; Anselm Turmeda; Bernat Metge; Felip de Malla; Antipope Benedict XIII; King Martin of Aragon; Andreu Febrer; Gilabert de Pròixida; Melcior de Gualbes; Christine de Pizan and Dante; Dante in SicilyDante in catalan cultureDante in Sicily:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]InterregnumlanguageBernat MetgeCatalanDante AlighieriMelcior de GualbesHumanities
researchProduct

La iconografía en la era digital: hacia una heurística para el estudio del contenido de las imágenes medievales

2014

Este artículo invita a reflexionar sobre la validez de la iconografía como método para describir los temas representados en las obras artísticas medievales. En esta ocasión, se ha puesto un mayor énfasis en investigar sus implicaciones epistemológicas y los sesgos que resultan del proceso de transformar las imágenes en palabras. El objetivo principal es tratar de que aflore la llamada 'brecha semántica', una especie de barrera que impide representar verbalmente un medio no léxico, como es el visual, de manera satisfactoria y sin mermas. Tras un sucinto recorrido por el pensamiento griego, con un especial interés por la écfrasis, se sugiere que el aparente equilibrio entre las capacidades se…

HistoryMedieval artUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASHistoryLiterature and Literary TheoryPanoramaFilologíasRepresentation (arts)Otras filologías modernasIconography; Medieval Art; Middle Ages; image-text relationship; ekphrasis; digital collections; iconographic indexing; thesauriVisual artsControlled vocabulary:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Rhetorical questionIconographyRivalrySemantic gapDigital humanitiesMagnificat Cultura i Literatura Medievals
researchProduct

Les "Razos de trobar" de Ramon Vidal: una gramàtica per al cant

2015

The Razos de trobar are revisited in this paper, with a recapitulation of the learned opinions on this text’s subject, and a new evaluation of it as a grammar handbook for troubadours. Characteristics are set down which differentiate this work from others like Uc Faidit’s Donatz proensals and Jofre de Foixa’s Regles de trobar . Attention is also given to the possible reasons for this text’s popularity, and on the way, Ovidian sources are retraced for the famous final lines (37-39) of Arnaut Daniel’s “Ab gai so cundet et leri”: “Ieu sui Arnautz qu’amas l’aura...”

HistoryUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASLiterature and Literary TheoryGrammarFilologíasmedia_common.quotation_subjectPhilosophy:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Otras filologías modernasHumanitiesmedia_common
researchProduct

Joan Roís de Corella, Lamentació de Mirra, de Narciso, de Píramus i Tisbe: edizione critica

2016

Il contributo, che è un’anticipazione parziale dell’edizione critica integrale delle narrazioni mitologiche di Joan Roís de Corella (XV sec.) per Barcino (ENC), nasce dall’esigenza di rivedere la situazione testuale della faula in oggetto (Lamentació de Mirra, de Narciso, de Píramus i Tisbe) e di avanzare, dove necessario, nuove proposte di lettura. Esso consta di due parti, delle quali la prima contiene l’Introduzione, la seconda il Testo con note a piè di pagina, in cui si discutono questioni relative alla constitutio textus, l’Apparato e l’Apparato complementare. Nell’Introduzione si danno informazioni essenziali circa la tradizione manoscritta delle Lamentacions (altrimenti note come Lo…

HistoryUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASLiterature and Literary TheoryLamentacionFilologíasmedia_common.quotation_subjectJoan Roís de CorellaMedieval Catalan literatureArtOtras filologías modernasCritical editioncritical editionOvid in the Middle Ages.:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]mythological narrativeMedieval Catalan literature; Joan Roís de Corella; mythological narratives; Lamentacions; critical edition; Ovid in the Middle AgesHumanitiesmedia_commonMagnificat Cultura i Literatura Medievals
researchProduct

Transcribing the "Estoria de Espanna" using crowdsourcing: Strategies and aspirations

2015

This paper examines the specific strategies for recruitment and retention of volunteer transcribers in use in two collaborative transcription projects: Transcribe Bentham (University College, London) and the Estoria de Espanna Digital Project (University of Birmingham). The aim of the paper is to review the strategies used by Transcribe Bentham, a more mature crowdsourced electronic transcription project, with a view to informing the strategies put into place in the Estoria project, which has started transcribing using crowdsourcing more recently. The paper discusses the difficulties faced by crowdsourced electronic transcription projects and how these have been and are being resolved in th…

HistoryUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASLiterature and Literary Theorycomputer.internet_protocolbusiness.industryCrowdsourcing; transcribing; electronic editions; collaborative transcription; volunteers; XML; Medieval Spanish literature; chronicles; Alfonso X; Estoria de Espanna; British hispanism; digital humanitiesFilologíasOtras filologías modernasPublic relationsCrowdsourcingWorld Wide WebTranscription (linguistics):CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]ComputingMethodologies_DOCUMENTANDTEXTPROCESSINGSociologybusinesscomputerXML
researchProduct

Vashti and the Golden legend: A pagan queen turns saint?

2014

Hagiographic texts establish a narrative template for shame, avoidance of shame, what looks like death wish in courtly literature. Scenes of shame and its avoidance through death are adapted and folded into romance and other genres and affect how characters behave and are described and gendered. This article treats saints' lives as literary texts and identifies the language used for female saints in the Old French and Old Occitan versions of the Legenda aurea and uses that codified language to compare the hagiographic text with a vernacular Jewish narrative: the Occitan Romans de la reina Ester, written in octosyllabic rhyming couplets by Crescas Caslari in 1327. This codification gives ins…

LiteratureHistoryUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASHistoryLiterature and Literary Theorybusiness.industryFilologíasmedia_common.quotation_subjectJudaismOld FrenchVernacularShameOtras filologías modernasLegendChristianityRomancelanguage.human_language:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]languageNarrativebusinessmedia_common
researchProduct

Aproximación a la fraseología metalingüística del alemán : las locuciones verbales con reden, sagen y sprechen.

2005

rosafe@uv.es

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS:LINGÜÍSTICA [UNESCO]Filologías:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Filología inglesaFraseologíaAlemánOtras filologías modernasFraseología ; Alemán ; Locuciones verbalesUNESCO::LINGÜÍSTICALocuciones verbales
researchProduct